Reviewed by Canute Tangwa
Dibussi Tande. No Turning Back. Langaa Publishers, 2007
Reading through Dibussi Tande's collection of poems NO TURNING BACK (2007), I could not but recall
Wole Soyinka's one point five billion naira question: "How did creativity survive under such arbitrary exercise of power? How did Art survive in a climate of fear?"(2004 Reith Lecture).
Dibussi Tande wrote most of his poems in an atmosphere (the turbulent and fiery 1990s; clamor for political change in Cameroon and the coming to the fore of the so called Anglophone Cameroon self-determination) of fear, uncertainty and expectation.
At the time something apparently of import but that went without much notice happened; the manhandling and belittling of the much heralded and celebrated writer Mongo Beti in the streets of Yaounde by policemen as the prince was moving out of town. Thus, the line between ART as vision cum commitment and ART as emotion and spectacle was drawn.
NO TURNING BACK encapsulates the Christian eschatological trinity of Vision, Tribulation and Hope; all these subsumed into the quest for freedom and political space that the poet skilfully handles as if to the manner born.
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